Dystopia uses analogue material to unite positive and negative parts in one single image. Two exposures lead to an image that inherits the first exposure as a negative part, while the second exposure appears real. The chronological order of the exposures leads to the fact, that the first exposure serves as a negative background for the second exposure. Through its negative impression, the first exposure appears less concrete than the second. The visual-chronological image enables a philosophical view on the aspects of time and memory.