The merger of mannequins with reduced graphic architectural elements is a visual interplay of irritation and aestetics; images that combine exposures of different places and settings. Artificial studio light merges with natural light into a new image language. The fragmentary appearance of showroom dummies floats into the minimalistic architecture. Both, the mannequins and the architecture are taken out of their primary determination and add up to a new coherent whole, which contains different levels of time and place.